2025 Banff Mountain Film Competition Grand Prize winner Iron Winter by Kasimir Burgess.
The Banff Centre Mountain Film and Book Festival is a programming-driven, competitive event bringing the best films and books on mountains and the spirit of adventure from around the world to the mountain town of Banff, Alberta. The Festival provides an opportunity for filmmakers and writers to meet and exchange ideas.
Questions?
For full information on the film competition, including complete rules and regulations, visit our FilmFreeway page.
To talk to us, contact the Banff Mountain Film Competition at 403.762.6441 or banffmountainfilms@banffcentre.ca.
Grand Prize — $5,000
Best Film: Adventure — $3,000
Best Film: Climbing — $3,000
Best Film: Environment — $3,000
Best Film: Mountain Culture — $3,000
Best Film: Mountain Sports — $3,000
Best Film: Snow Sports — $3,000
Best Short Film — $3,000 – Under 20 minutes in length (including credits)
Best Feature Film — $3,000 – Over 70 minutes in length (including credits)
Creative Excellence Award — $3,000 – Showcasing creativity and the arts in exploring the spirit of adventure.
Audience Choice Award — $3,000 – Chosen by the festival audience in Banff.
Winners are announced during the film awards ceremony in Banff on Sunday, November 8, 2026. The jury reserves the right to not present an award, and its decisions will be final.
Finalist Masters:
If your film is selected as a finalist to screen at the festival, you will be required to provide a high resolution master via Signiant Media Shuttle. We accept finalist masters as either Avid DNxHD or Apple ProRes 422 codecs at 1920x1080p in a .mov or .mxf wrapper and our preference is to use the 10bit codecs (example: ProRes 422 (HQ) or Avid DNxHD HQX). We do not accept 4K files or DCP content. We request finalists to submit their master film with the frame rate that it was edited in, to a maximum of 30 frames per second. Audio should be uncompressed PCM, .wav or .aif at 24bit, 48kHz. If you’re also including 5.1 surround tracks, in addition to the stereo full mix, please include a track listing. If your film is not in English, the master MUST have burned-in English subtitles. Finalists will be contacted by the festival with instructions on how to upload.
Note: The Festival Producer will have the option to conform the content to broadcast-quality standardization or, alternatively, to charge a fee (in consultation with entrant) for Banff Centre in-house corrections in the event of substandard submission.
Accessibility:
If applicable, thoroughly check subtitles for quality (translation and typos) and readability. We recommend a sans-serif font using white text on a black background and make sure the font size is accessible.
If selected as a finalist, we will ask for a SDH caption file (SRT), which are subtitles for the d/Deaf and hard of hearing. While not required, we strongly encourage you to include accessibility pieces as standard for your post-production and have them ready to provide festivals.
David is a French film director and former professional kayaker. Filming his own river expeditions around the world, he wanted even his grandmother to understand his films - and learned to bring nuance to adventure stories. He has since built a career directing films for international brands and mountain sports events, often also serving as executive producer and live director. From ordinary heroes to Olympians, he still brings that approach to every project, making complex subjects accessible to mainstream audiences.
Rose Bush is the director of photography of the Oscar Winning film, COLETTE. Originally from Alaska, she has based her career with deep connections to: Los Angeles, Austin Texas, New York City, and Stockholm, Sweden. She holds an MFA in film production from the University of Texas at Austin, and as a filmmaker works in a diversity of forms amongst cinema & television from non-fiction to narrative film, commercials and what might be discovered next. She has a foundational belief that filmmaking must connect us to and expand our humanity pursuing the world with films made in uncharted global and existential territory.
As a director of photography, with COLETTE, her work received an Academy Award for Best Short Subject Documentary at the 93rd Academy Awards. In her collaboration with Academy Award Nominated director Nicole Newnham, her work with THE DISAPPEARANCE OF SHERE HITE premiered in competition at the 2023 Sundance Film Festival and was listed by The New Yorker as “deserving of an Oscar nomination”. She was the official presenter of the Emerging Cinematographer Award at the 74th Cannes Film Festival and has screened her work as a DoP with distributors including IFC Films, The Guardian, Dogwoof, Netflix, Hulu, and more.
Beki Henderson is a BAFTA-nominated Producer, Series Producer and Expedition Specialist who has spent over a decade making captivating films in some of the wildest places on Earth for National Geographic, Disney+, Netflix, Apple TV+, BBC and Channel 4. Her work has taken her from jungles, deserts and high mountains to caves and underwater worlds, working with leading adventurers including Steve Backshall, Aldo Kane and Ben Fogle, as well as A-list talent including Will Smith, Leonardo DiCaprio and Meryl Streep.
Alongside adventure filmmaking, Beki has spent much of her career working closely with remote and Indigenous communities around the world - experiences that have shaped how she thinks about storytelling, authorship and representation. A Fellow of the Royal Geographical Society and Scientific Exploration Society Explorer, she is also the founder of Stories We Tell, a filmmaking mentorship initiative supporting people in remote and Indigenous communities to become authors of their own stories. At the heart of her work is a simple question: who gets to tell the story?
Catherine Pettman is an Australian film, television, and documentary producer with over 20 years of experience championing collaborative storytelling that connects human resilience with challenging natural landscapes. As the founder of Sheoak Films and co-founder of Rummin Productions, her creative vision is deeply shaped by the rugged, elemental environment of her home state of Tasmania (lutruwita). She has a rich history of partnering with creators to deliver diverse, high-impact stories, ranging from adventure-driven titles like Doing It Scared (chronicling climber Paul Pritchard’s return to the Totem Pole) to acclaimed scripted dramas like The Tailings and Moonbird. Driven by a strong social conscience, Catherine’s trusted industry collaborations have brought compelling regional narratives to major global audiences, with broadcast and streaming credits including the ABC, SBS, NITV, RTÉ, and ZDF.
As former Managing Director, Digital, Film and Media at the Banff Centre for Arts and Creativity, Kerry led the strategic development and growth of the Centre’s digital, film, media, production, technical services, professional training, and mountain culture portfolios. Kerry’s leadership brought together artistic vision, business development, technology, production, education, with a focus on developing creative programming and professional training opportunities, advancing production and technical infrastructure, building sustainable revenue and training models, and leading strategic planning, budgeting, partnerships, and resource development. A central focus of Kerry’s work was supporting programming across Banff Centre’s artistic disciplines workinfg collaboratively across disciplines and with the digital and creative sectors to develop interdisciplinary programming and professional development opportunities.
Within Mountain Culture, Kerry provided leadership for the Banff Mountain Film and Book Festival, Festival On Demand, the World Tour, competitions, and programming, with oversight and guidance on business development, content strategy, financial management, and operational planning.
Prior to joining Banff Centre, Kerry was Director of Production and Program Competition at Achilles Media, where she led the Rockie Awards, an internationally recognized television and media competition. Through this work, Kerry developed extensive insight into the television industry and the creative and production qualities that distinguish exceptional work.
Kerry has produced awards programs and international arts events, executive produced an international congress of arts producers, and served as an international juror and participant in international exchanges. She has also produced and edited national television specials for the Canadian Broadcasting Corporation and produced, directed, and edited four seasons of BRAVO! Banff Masters, an acclaimed series profiling producers, writers, and directors from around the world.